- Joined
- Dec 20, 2009
- Messages
- 82,590
- Reaction score
- 45,424
- Location
- USofA
- Gender
- Male
- Political Leaning
- Conservative
In the 19th and 20th centuries, minstrel shows featuring white actors in blackface — dark makeup worn to make them look black — spread throughout the United States. This practice was laughed off as entertainment. Today, it’s considered to be racial appropriation and stereotyping. But aren’t men who impersonate women similarly guilty of appropriation and stereotyping? If blackface is racist, then surely “womanface” is sexist.
Theatrical cross-dressing has been around for centuries. On the stage, these performances were often ironic and humorous. But there is also a more sinister kind of female impersonation, one that serves to advance the anti-woman ideology of transgenderism. It was not uncommon in minstrel shows for white people to portray African Americans as ignorant and criminal, reinforcing racist sentiments. And with transgenderism, it is not uncommon for men to portray women as hypersexualized and airheaded....
Men impersonate women for all sorts of reasons, not all of them ideological. Some are tormented by gender dysphoria and hate their bodies. Others are uncomfortable with their sexuality. Some get a sexual thrill out of putting on women’s clothing. Others are opportunistic and have figured out it’s easier to win sympathy or even sports competitions by impersonating a female.
With blackface, we don’t discriminate based on a person’s intentions. When Rachel Dolezal identified as black, despite having no black ancestry, going so far as to change her hair and darken her skin, she was widely condemned. She had no ill intent. She merely “identified” as black. Besides, race is arguably much more of a social construct than sex is. Yet for some reason with sex, it’s a different story. Female impersonators are not only tolerated, they’re glorified as representing the pinnacle of womanhood.... “Womanface” is the new blackface. It’s time to get outraged.
Theatrical cross-dressing has been around for centuries. On the stage, these performances were often ironic and humorous. But there is also a more sinister kind of female impersonation, one that serves to advance the anti-woman ideology of transgenderism. It was not uncommon in minstrel shows for white people to portray African Americans as ignorant and criminal, reinforcing racist sentiments. And with transgenderism, it is not uncommon for men to portray women as hypersexualized and airheaded....
Men impersonate women for all sorts of reasons, not all of them ideological. Some are tormented by gender dysphoria and hate their bodies. Others are uncomfortable with their sexuality. Some get a sexual thrill out of putting on women’s clothing. Others are opportunistic and have figured out it’s easier to win sympathy or even sports competitions by impersonating a female.
With blackface, we don’t discriminate based on a person’s intentions. When Rachel Dolezal identified as black, despite having no black ancestry, going so far as to change her hair and darken her skin, she was widely condemned. She had no ill intent. She merely “identified” as black. Besides, race is arguably much more of a social construct than sex is. Yet for some reason with sex, it’s a different story. Female impersonators are not only tolerated, they’re glorified as representing the pinnacle of womanhood.... “Womanface” is the new blackface. It’s time to get outraged.
Not a terrible point, though, it's more apt for the "public-influencer" persona's and those seemingly driven to this by a thrill from flamboyance.