- Joined
- Feb 24, 2013
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- 40,182
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- Gender
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- Political Leaning
- Conservative
I don't think there is much really political about this review, thought I'd guess the presenter is fairly conservative (this is the first I've seen of him), but he absolutely nails what is wrong with modern screen writing.
In a nutshell: Modern Screen writers don't understand people. They write to the eternally online TikTok generation who, I'd argue, are disconnected as a symptom, rather than a conscious choice.
They write for people who they assume are uninterested in dialogue that isn't leading up to fighting or ****ing, or when it leads to neither, is hammering home some message that will only resonated with about 5% of the viewing audience.
The Wheel of Time series is a classic because it tackles the age old differences in how men and women talk about issues, and process what is said to them, couched interestingly in a magic system that pretty much mirrors those differences. Ironically, that underlying plot to the series was lost when the screenwriter(s) took sides, breaking the very narratives that made the books so interesting.
While the problems in screenwriting are so clearly illustrated with the failure of Wheel of Time, it's persistent throughout modern screenwriting. It's all so boring and predictable and linear because Hollywood no longer understands people. It's the dialogue equivalent of watching a CGI car crash created by people who don't understand physics.
In a nutshell: Modern Screen writers don't understand people. They write to the eternally online TikTok generation who, I'd argue, are disconnected as a symptom, rather than a conscious choice.
They write for people who they assume are uninterested in dialogue that isn't leading up to fighting or ****ing, or when it leads to neither, is hammering home some message that will only resonated with about 5% of the viewing audience.
The Wheel of Time series is a classic because it tackles the age old differences in how men and women talk about issues, and process what is said to them, couched interestingly in a magic system that pretty much mirrors those differences. Ironically, that underlying plot to the series was lost when the screenwriter(s) took sides, breaking the very narratives that made the books so interesting.
While the problems in screenwriting are so clearly illustrated with the failure of Wheel of Time, it's persistent throughout modern screenwriting. It's all so boring and predictable and linear because Hollywood no longer understands people. It's the dialogue equivalent of watching a CGI car crash created by people who don't understand physics.