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Helmet for My Pillow
By Robert Leckie
This is a first hand account of the hell that was the war in the Pacific. It's the book from which the miniseries "The Pacific" was partially based -- the other book being
Old Breed by Eugene Sledge).
This book is a gift to posterity. Every war has a handful of eloquent writers to document what life was like, and few are as brutally honest Robert Leckie. From his description of the gnawing, constant war against an entrenched Japanese army, to the seemingly superior foe of unrelenting rain, and a "green hell" of the tropical forest that seems hell bent of undoing all but the simplest machines with pervasive, stinking decay, he paints a clear picture of life as a US Marine in the Pacific. While those who served on naval ships would describe the Pacific was as months of boredom interrupted by hours of terror, for the marine it was unending.
Robert Leckie is as hard on himself as he is on his fellow soldiers. Much like the book
Band of Brothers, Leckie tells openly about the penchant in the Pacific for collectibles to augment the soldier's pay, from Japanese swords, to pistols, insignia, flags and gold teeth. Moreover, due to the pervasive failures of supply, soldiers and Marines would regularly steal from each other, and officers, under guise of the needs of the Corps, would steal from the enlisted.
After reading Band of Brothers, I concluded the the constant stealing back and forth in the Pacific was driven more by the sparsity. Every conquered German stronghold was a treasure trove of paraphernalia, while the Japanese, suffering even more catastrophic supply problems that the US marines, only left their weapons and dead bodies.
My only final comment is to disparage the HBO production of The Pacific. For the most part the series was true to the book, with only minor artsitic license. For instance, at one point in the book, Leckie is being sent to a hospital station on a nearby island, and a friend of his asked him to take a Japanese officer's pistol with him. His friend had pilfered it from te body of a Japanese officer a few days earlier, and his commanding officer had "commandeered" it. His friend had then stolen it back and needed Leckie to hide it until the officer gave up looking. Leckie then took it with him to the hospital where a doctor offered to buy it off him.
In the real story, as Leckie tells it in the book, he turned down the doctor's offer twice, and that was it. On hearing of the D-Day invasion he requested, and was granted, the pass back to his unit. The end.
In the HBO series they changed the story, making Leckie the owner of the pistol, and Leckie used the pistol to bribe his way back to his unit. It rolled two stories into one, since Leckie had actually pilfered a Japanese map box that he found was great for keeping his clothes dry, and his commanding officer had stolen it from him. All told, it didn't really change the character or the story in any significant way -- though personally I dont think the artsitic license was really necessary, as they could have told both stories in full with a 30 second scene of how he came by the pistol, and remove the 30 second scene where he bribed his way out of the hospital with it.
Anyway, no big deal. I can accept that. What I do object to, however, was the HBO series depiction of Robert Leckie's faith. In the book, Leckie comments regularly about his faith, the stresses, and how his beliefs were often challenged by the horror of war. But he was clear that he always found comfort in it, and his belief in the almighty was unshaken. At one point he spends time pondering the nature of life while looking at a pile of Japanese bodies, and his refusal to accept the atheist proposition that all these men, who each contemplated the mysteries of the universe, whose personage was greater than the spent husks they are now, could cease to be from an ounce of metal. Agree with him or not, it is his own thoughts on the subject.
He wents so far as to explain how he was inspired by those faithful around him, and ended the book with a prayer for the living and the dead, and an apology to God and Jesus for the hell mankind had wrought in the form of war, and the mushroom cloud over Hiroshima.
In the HBO series they insert a scene that isn't even in the book where they have Leckie lecture his new bunk mate on the futility of faith and religion. The writer of the screen play decided, through "artistic license" to make the persona of Robert Leckie the conduit of his own views on faith, and that is inexcusable to me.
Anyway, my problems with the HBO series is probably a topic for another thread, but it ate at me through my reading of
Helmet for My Pillow as I waited for Leckie's abandonment of his faith that never actually came in the book.